Sometime last year, I connected with Erin Dollar, the designer behind Cotton & Flax, an LA-based home goods company. Erin creates awesome surface patterns from simple repeating shapes, which she silk-screens onto linen-cotton fabrics.
In addition to creating the free Double Dash quilt pattern for her first fabric collection for Robert Kaufman Fabrics, I've also been working with her leftover screen-printed scraps to create new quilts (like this flying geese wall quilt). The two log cabin baby quilts pictured here are my latest work made from Erin's scraps; in this case, I worked solely with her designs printed on a flax-colored/natural linen-cotton blend.
This first quilt features her designs printed in black, paired with strips of cream and white, and squares of solid peach, to form four Courthouse Step blocks. Each block was pieced improvisationally using strips of various widths, so each block is unique and varies in size and shape.
This second quilt features Erin's patterns printed in white, and the fabric strips are arranged in a much more orderly and uniform fashion to form four log cabin blocks. The layout is the same as the one I used to create this neutral log cabin baby quilt earlier this year. Each of the blocks' centers feature a unique, warm-colored solid.
I really enjoy the act of working from scraps---making design decisions on the fly since I'm limited to the fabric that's in front of me---so I really loved the process of making both of these quilts and am so happy with how they turned out.
All photos by Jane Cuthbertson of Gray Green Goods.
This past spring, I had the opportunity to design a quilt for Robert Kaufman Fabrics using the awesome new fabric line, Arroyo, by Erin Dollar of Cotton & Flax. The quilt is named Double Dash, and the design is based on one of the prints in the collection of the same name---one that Erin said was inspired by envelope liners and features scattered dashes.
One of the fun parts of designing and making this quilt is seeing it pop up in different places, including in promotional images for Robert Kaufman...
...and on the cover of Erin's thread box for Aurifil!
And the best part for you is that the pattern for the quilt is now available on Robert Kaufman's website and it's free! The finished quilt measures 60" x 60," and is an excellent project for anyone new to quilting. If you make a quilt using the pattern, please be sure to share it with me; I'd love to see!
Ask any of my quilty friends, and they'll most likely tell you that flying geese are my go-to quilt block---and they would be right. In fact, I created a whole block-of-the-month pattern exclusively for Pintuck & Purl based on the block.
Today, I thought it would be fun to show you two of the baby quilts I made last year which feature flying geese in an almost identical layout---geese pointing both north and south with areas of negative space around them---but have a completely different look and feel to them thanks to my fabric choices.
For this first one, I used only two fabrics for the top: a pretty, textured blue Essex linen for the background and an off-white mini plus-sign print for the geese. Since the top was minimal and restrained in its color palette, I opted to add a vibrant and patterned back to the quilt, for a fun surprise.
For this second flying geese quilt, I reversed the color placement (opting for a light background with darker geese) and added a third color (an assortment of acid yellow prints paired perfectly with solid coral pink and white).
The back remained minimal with a gray windowpane print, and I couldn't resist adding in a bit of texture in the form of a recycled hemp and cotton binding. Though these quilts are similar in design, I'm curious to know, do you prefer one over the other?
From time to time, I take on commissions for custom memory quilts. Most recently, I created this t-shirt quilt for my cousin who is an avid runner. This large throw (65" x 65") features many of the t-shirts she collected over the years from running clubs and track and field events.
Since the t-shirts are quite busy on their own, I opted not to add any additional fabrics to the quilt's top. Instead, I stabilized the t-shirts, cut them into squares, arranged them in a simple 5 x 5 grid.
I did, however, opt for a stripy binding with a pop of coral, to add my voice to the quilt. I pieced together a back from a navy blue solid and a Japanese elephant print.
If you're interested in commissioning your own custom quilt, for yourself or a friend, simply fill out this request form to get started!