Blog

Something I've enjoyed doing the past few years is working with local photographers to photograph my work. Through doing this, I've been able to meet other local creative women, have my work photographed in a number of beautiful spaces, and create a high-quality visual archive of my quilts.

My most recent photoshoot took place last February, in the Cause Creative space in Essex, MA. I drove out there with a handful of my quilts and a pair of pillows and handed them over to Ashley Brooks (the owner of Cause Creative), who styled them in her beautiful space, and Jesika Theos, who photographed them. 

The resulting images are some of my favorites. Because the space was so large, I was able to bring my larger throw quilts to be photographed---something that's harder for me to do on my own. Among the work I brought that day were an Amish Hourglass Throw Quilt (pictured above); a Chambray Log Cabin Throw Quilt (featured in the beginning and end of this post); and the Minimal Stripes Throw Quilt pictured below.

I also brought along two improvisationally pieced lumbar pillows, made from an assortment of neutral scraps, including treasured hand-printed fabrics from Cotton & Flax and Maze & Vale. 

Having my work photographed so beautifully in such a warm space meant so much to me, and I hope you enjoy the images as much as I do. If you're interested, you can shop all of the pieces that were photographed that day here. 

All photos in this post by Jesika Theos. 

I have a new quilt to share with you today! Pulling entirely from my bin of solid fabric scraps, I pieced this quilt top bit by bit, without a set plan, over the course of a few months. My only guideline was to match up scraps of similar lengths whenever possible. 

I stopped piecing once I reached a size I was happy with, which in this case was approximately 57 inches x 77 inches, an excellent size for a throw quilt.

I selected a wool batting for the quilt's inside, to give it a bit of loft; made a super soft backing from voile and Swiss dot fabrics; and finished the quilt with diagonal quilting lines and a scrappy binding. 

I predict this quilt will be in heavy rotation on our couch this fall and winter!

Almost a year after starting this quilt at a Vermont sewing retreat, I finished it (and just in time for the baby boy we're expecting next month!). I've long admired the Sunrise Quilt pattern by Carolyn Friedlander, the paper-piecing pattern which this quilt is made from, and really enjoyed having the chance to finally work with it. 

The bulk of the quilt's prints are from a jelly roll of Carolyn's Doe fabric collection, which I paired with solids, as well as prints from Maze & Vale, Umbrella Prints, and Cotton & Flax. The white sashing is made from solids and nearly solid prints, all pulled from the scrap bin. 

To create the coordinating back, I used a long-hoarded Cotton+Steel print by Alexia Abegg called "Painted Indigo," and two other Carolyn Friedlander prints. To quilt it, I kept things simple and stitched in the ditch (no need to mark!), which created a pretty texture and transferred the sunrise shape to the back of the quilt, which I really love. 

The quilt is now hanging in our nursery, ready and waiting for its owner to arrive.