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2013 umbrella prints trimmings competition


These days, I'm pretty much smitten with screen-printed fabrics. I love the look of one and two-color prints and I love being able to support independent designers who produce their work by hand. One of my goals for the year is to incorporate more screen-printed fabric into my work, so when I saw the posting for this year's Umbrella Prints Trimmings Competition, I decided to enter for the second...
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striped zipper pouch


I never had a chance to blog about it in December, but for Christmas, I made my mother-in-law a zipper pouch using Pink Stitches' excellent tutorial.


I've made a few zippered things recently, and I've enjoyed tackling my fear of sewing zippers (turns out it's not so bad).

The green stripe and lining are Lizzy House's Jewels, and the raindrop fabric is from Erin McMorris's Summersault line (which I...
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flying geese pillow class

There are still a few spots left in the Flying Geese Pillow class I'll be teaching in the Spoonflower Greenhouse on Thursday, May 9. If you live in the area, I hope you'll join!
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do. Good Stitches: March Blocks


Last month, Sonya requested wonky star blocks for the March quilt for our circle of do. Good Stitches.


Working within her suggested color theme---which I loved!---I made two blocks using quilting weight, linen and voile.


You can see all of the past blocks I've made here
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hand-printed hexagon wall quilt


English paper piecing has become my go-to project when I'm traveling, so after finishing my star blossoms quilt, I immediately switched over to a hexagon project I started ages ago, but had never finished. During plane rides this past fall to Salt Lake City for Sewing Summit and Houston for Quilt Market, I stitched away.


The main fabrics I used were hand-printed scraps by Sara Lee Parker, which I bought from her table at Crafty Bastards a few years ago. I paired her prints with an olive linen from my stash. I took an improv approach to the layout of the hexagons---I pulled basted hexagons from a pouch without looking, and stitched together whatever I pulled.

Once I'd stitched together all of the pieces I had, I decided to machine appliqué the entire shape to a rectangular scrap of muslin. I did echo quilting around the edges and then framed it all with a black binding.


I love how this piece turned out---and loved working with Sara's fabrics---and can't wait to hang it on my studio wall.
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